Flawless Unveils Ethical AI Editing Tools

17/02/2025News

Flawless, the leader in transformative filmmaking technology, today  announced the commercial availability of DeepEditor, its groundbreaking AI-powered editing tool, at the British Film Editors (BFE) Cut Above Awards 2025 in London.   http://tiny.cc/qay9001

Conclave

17/02/2025News

Today on Art of the Cut we speak with Nick Emerson about editing Conclave, for which he’s nominated for an ACE Eddie for Best Edited Feature Film, Dramatic/Theatrical. https://podcasts.apple.com/br/podcast/conclave/id276157864?i=1000683316135

Oscar-Nominated Sean Baker on Directing and Editing Anora

17/02/2025News

We spoke with [Anora’s writer/director/editor Sean] Baker, whose other films include Red Rocket and The Florida Project, about making the film, his love of post and the Oscars. https://postperspective.com/oscar-nominated-sean-baker-on-directing-and-editing-anora

Dock Ejector

17/02/2025News

The Ultimate Tool for Efficiently and Safely Ejecting All Storage Devices Connected to Your Mac or PC, Including SoftRAID and Apple RAID Volumes  https://www.owc.com/solutions/dock-ejector?token=9efNSh2jiLdwvjsvV9mMvrvYv-65onUq

Editing Oscar-nominee “The Substance” with Premiere Pro

17/02/2025News

We sat down with Fargeat’s long-time collaborator and co-editor, Jérôme Eltabet, to get an inside look at the experimental post-production process, learn more about his own creative inspirations and explore how they used Premiere Pro to execute this ambitious project.  https://blog.adobe.com/en/publish/2025/02/13/editing-oscar-nominee-the-substance-with-premiere-pro